PinnedExpanding The Forest: a blog updateTurns out the forest I wanted to explore is even bigger than I initially presumed.Jul 20, 2023Jul 20, 2023
“NO TITLE AS OF 13 February 2024, 28,340 DEAD” by Godspeed You!Here’s a new first for me – I’m reviewing the title of this album separately to its music, because of the impact this one has had on me.Oct 4, 2024Oct 4, 2024
One Million: A ReflectionI reflect on the number in the context of a social media experience, and why I can’t fathom it.Jun 25, 2024Jun 25, 2024
Who’s Afraid of Little Old Her?: A tale of sheer commercialistic greedHow Billie Ellish and Charli xcx were ruthlessly blocked from hitting #1 by a pop megastar that isn’t a stranger to the limelightJun 22, 2024Jun 22, 2024
The Tortured Poets Department: A Study In Mainstream CommercialismOn release day of her new record, Taylor has taken profit-focused release strategies to a new low.Apr 19, 2024Apr 19, 2024
Has French Montana driven commercialism too far?The D-List US rapper has pushed chart and revenue hungriness to an all time low — and it’s sad to see.Feb 23, 2024Feb 23, 2024
Fans, charts & physicals: the 2020s album release cycle evolutionThe way in which new records are being marketed in the 2020s is following a new, aggressive formula — one that’s really caught my interest.Jan 17, 2024Jan 17, 2024
Album Review — Maps by billy woods & Kenny SegalAn enrapturing journey through woods’ life on tour, with brilliantly varied production from Segal and killer bars.Dec 24, 2023Dec 24, 2023
Song Discussion – “Seraph XIX” by How To Disappear CompletelyA song I’ve listened to over a hundred times, but not often in full.Dec 16, 2023Dec 16, 2023
Game Review — Mirror’s Edge CatalystA fluid, emotional and vivid parkour escapade, with only minor flaws holding it back.Aug 3, 2023Aug 3, 2023
